How old is katie crutchfield

And there are Lucinda moments on other records, but I have this memory of when Out in the Storm was about to be announced, starting to make a turn toward Americana and more roots-y music, getting into classic country and stuff like that, which put me in a weird head space when I went out to tour.

Do you feel wiser? I think so, through sobriety—those lyrics are about that. To me, that message right now is important—that we all have to jump in to the unknown and find some kind of lightness in that.

I see that you have posted some new tour dates for the fall. On one hand, we have to plan for the future, and that was the thinking behind rescheduling the tour dates and putting them on the calendar. That is us being proactive and trying to preserve the album cycle that I have.

I worked hard on the record and I really do want to play it live, so if we are in a position to do that down the road, then we obviously want to be planning for that. But, of course, none of us knows what is going to happen. Shortly after, in , Morby found himself touring a home in Overland Park, Kansas, that his father had just finished refurbishing; he bought it on the spot with his deposit from recently signing to Indiana indie label Dead Oceans.

At the time he purchased the home, he was still living in Los Angeles, which meant splitting time between California and Kansas. Their street is a row of homogeneous one-story ranch homes with SUVs in the driveways and piles of leaves gathering out front. The rooms are painted different pastel shades and decorated with relics from their careers — props from past Morby videos and Waxahatchee wall art.

The living room has a piano and a keyboard; the front room is a cozy listening area housing dozens of records. Morby used to record in that front room, he remembers, until his equipment started to take up too much space, so he cleared out the shed in the backyard and outfitted it as a studio, itself now overflowing with equipment and more props.

The two beloved indie artists have since spent the past three years settling into a kind of domestic life that would be unheard of for most musicians regardless of tax bracket, least likely those in the independent space.

Both arrived during a time of renewed relevance for indie music — in the middle of a pandemic, folk music like theirs could be particularly comforting, like sinking into a warm bath. Crutchfield, 32, had spent years searching for a place that felt right for her base, jumping among Brooklyn, Philadelphia, Long Island, and her hometown of Birmingham, Alabama.

She barely remembered Kansas City from touring, so the first time she went with Morby three years ago, it threw her. Eliot, featured her twin sister, Allison, on drums and a stint for Morby in Brooklyn bands Woods and the Babies, they both landed on a similar folk-inflected rock style in their solo work, more folk or rock depending on the album. She decided to get sober and take off the road. At the time, she was writing the songs that would become Saint Cloud while living in the Kansas City home.

Katie Crutchfield recently read a diary entry from when she was 17 years old. Crutchfield began her career in her hometown of Birmingham, Alabama, where she and her sister formed the feminist punk band P.

Eliot in They won devoted fans and critical raves before disbanding in , at which point she took the name Waxahatchee from a creek near her childhood home. I felt myself start to pull back from drinking slowly, and then anytime that I would have a crazy night out, I would feel extra, extra bad. I did a lot of reading, a lot of spiritual soul-searching, a lot of self-help therapy. I had time to fully get back into whatever headspace the next record was going to be.

With acoustic guitar flourishes, billowing drums, and her trademark intimate approach to songwriting, the record leans into stripped-back Americana and country. I wanted to step into that power a little bit. Saint Cloud signals a distinct shift in sound from her previous work. I needed to have that experience, but I also knew that I was going to need to take a sharp turn on the next one.